Mouth Almighty — Serigraph data-visualization

Mouth Almighty — Serigraph data-visualizationHip hop has always been about the power of the voice. Mouth Almighty is a 15 15 serigraph on museum grade Arches paper part of the Intonarumori: Noise Making Machines series, which uses data and collage to map the relationship between Futurist noise theory and the oral tradition of hip hop. Hand pulled screenprint on archival Arches paper. The title is drawn from hip hop vernacular; the work sits comfortably in a gallery context. At edition of 25,

part of the Intonarumori: Noise Making Machines series

Nasir Jones never moved far from Queensbridge — but his discography moved everywhere

Printed on archival photographic paper at gallery scale

Comes with a Certificate of Authenticity and ships rolled in a wide archival tube

Kanye West's discography spans continents

The collage and data-visualization aesthetic makes it equally at home in a gallery or a well-considered living room

Hip-hop has always been about the power of the voice

maps the geographic footprint of Jay-Z's discography — every city named across his catalog

Part of the MDMD series — data visualization as fine art photography

and a collectible artwork

which maps the shared frequency between Luigi Russolo's 1913 Futurist noise machines and the beat-driven architecture of hip-hop

That calculation becomes a long-exposure light drawing